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2018 marks twenty years since the first PME show
En français comme en anglais, it’s easy to criticize. To celebrate this anniversary, co-artistic director Jacob Wren has written a book entitled
Authenticity is a Feeling: My Life in PME-ART. A compelling hybrid of history, memoir and performance theory, the book will be a highly subjective, chronological retelling and questioning of much of what has happened in and around our work over the past twenty years. Sometimes Jacob also jokes that what he’s writing is in fact “a novel about
PME-ART.” It begins when Jacob meets Sylvie Lachance and Richard Ducharme in 1996, and traces a line through collaboratively created performances such as
Unrehearsed Beauty-Le Génie des autres (2002-2004),
Families Are Formed Through Copulation (2005-2006),
HOSPITALITY 3: Individualism Was A Mistake (2008-2012) and
The DJ Who Gave Too Much Information (2011-). It is a book that aims to change the rules for how interdisciplinary performance can be written about.
But books about performance never feel quite right, or at least never feel like enough on their own. Addressing performance requires performance. Therefore, we are also creating an accompanying work entitled
A User’s Guide to Authenticity is a Feeling. It will begin with Jacob reading excerpts from the book and showing photographs of the works in question, and then gradually move towards an ever more personal and artistically vulnerable perspective on what the past twenty years have meant. It is an artist talk turned inside out, an artist talk that tells more about artistic struggles and challenges than about any worldly success, raising complex questions as to what exactly it means to be making performance today. It is an author in dialog with his own strange book, and with his own life spent making collaborative work, casting new behind-the-scenes light on just why we do it, why we continue to believe so stubbornly in the fragile but essential act of “being yourself in a performance situation,” and how we continue to hope against hope that our destabilizing tangle of art and politics might still, in some small way, change the world.
The performance will also document the reactions all of PME-ART’s past and current collaborators had to the book. What they agreed with and what they found unfair will also become part of the piece, demonstrating how our shared artistic history creates collaborative dynamics that are complex, fascinating and all too human. Finally, in an ongoing manner, the performance will be altered for each place we visit. In each city there will be a section of the performance that speaks directly to all the times PME-ART has presented there in the past, to the specific relationship between our work and that venue and city.
A User’s Guide to Authenticity is a Feeling is our most personal, direct and honest work to date. It gets to the very heart of what PME-ART means and, in doing so, opens up new artistic possibilities for the future. It speaks to how sometimes the only way to move forward is by first looking back, and how the unique ephemerality of performance creates a sense of time and memory that is perhaps one of its greatest qualities.
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A User’s Guide to Authenticity is a Feeling was on tour in 2018:
Malmö / Inkonst: October 26 & 27, 2018
Düsseldorf / FFT: November 7 & 9, 2018
Reykjavík / Everybody’s Spectacular: Nov 15 & 16, 2018
Was in Montréal at
La Chapelle: April 17 & 24 / May 1 & 8, 2019
And was in Vancouver at
PuSh on February 5 & 6, 2020
You can also order the book Authenticity is a Feeling: My Life in PME-ART
here.
Bonus:
all the links about PME-ART currently available on the internet.
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