Six quotations on individualism

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There is no ‘human individual.’ There is a psyche that is socialized and, in this socialization, in the final result, there is almost nothing individual in the true sense of the term.
– Cornelius Castoriadis, World in Fragments



Social emancipation is not the choice of community against individualism. The very opposition of community to individualism is pointless. A form of community is always a form of individuality at the same time.
– Jacques Rancière, Democracy, Equality, Emancipation in a Changing World



In the 1960s many people came to realize that in a truly revolutionary collective experience what comes into being is not a faceless or anonymous crowd or “mass” but, rather, a new level of being… in which individuality is not effaced but completed by collectivity. It is an experience that has now slowly been forgotten, its traces systematically effaced by the return of desperate individualisms of all kinds.
– Fredric Jameson, Brecht and Method



The trouble is, as soon as therapeutic schools start to formalize and professionalize their procedures they nearly always—advertently or not—enmesh themselves in interiorizing philosophies of one kind or another. There are in fact very few approaches to psychological therapy that don’t in some measure subscribe to individualist, idealist and/or what I call magical voluntarist positions. All such approaches have their foundation in a general cultural assumption that is in fact very hard to shake off—i.e., that fundamentally we are all individuals who just happen to find ourselves in societies. I suspect that it might be more accurate to say that fundamentally we are social creatures who just happen to feel as individuals.
– David Smail



The European bourgeoisie were progressive when they defended the individual from the excessive control of the father in the family and against the collective regulations of the church and feudal society. However, the capitalist system then went on to champion and protect the rights of the individual property owners against the rights of the mass of exploited workers and peasants. When capitalism had its impact on Africa in the colonial period, the idea of individualism was already in its reactionary phase. It was no longer serving to liberate the majority but rather to enslave the majority for the benefit of a few.
– Walter Rodney, How Europe Underdeveloped Africa



This is not to say there is no space for individual creation - I love the selfishness of closing the world out and unleashing the realm of my imagination and creativity. But how do we disrupt the constant individualism of creation when it comes to society, our shared planet, our resources?

The more people who cocreate the future, the more people whose concerns will be addressed from the foundational level in this world.

Meaningful collaboration both relies on and deepens relationship - the stronger the bond between the people or groups in collaboration, the more possibility you hold. In beginning this work, notice who you feel drawn to, and where you find ease. And notice who challenges you, who makes the edges of your ideas grow or fortify. I find that my best work has happened during my most challenging collaborations, because there are actual differences that are converging and creating more space, ways forward that serve more than one worldview.
– adrienne maree brown, Emergent Strategy: Shaping Change, Shaping Worlds



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Notes from the Jacques Rancière / Pedro Costa round-table

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[On Friday February 18th I attended the round-table between Jacques Rancière and Pedro Costa which was part of the conference Image in Science and Art. What follows are my notes. Most of the statements are approximations of things said by Pedro Costa, who I found enormously inspiring.]



I need cheap machines.

I want to push the machines into the past.

I can only think about yesterday, today, and I cannot think about tomorrow.

Everyone knows this, with digital machines, with computers, sometimes something happens and nobody knows why.

Digital problems: noise and squares and everything that happens.

Q: You think this image is not healthy enough? A: They [the images] need to be a little bit more alive.

Temperature.

We were talking completely about us and we had stopped talking about the machines.

Appear / disappear.

Work with natural light whenever possible.

I have to take them to the light, which means to the window.

We have a lot of doubts and we're not convinced that we're going to get there.

We have so little that it should be sufficient.

The problem is how to turn the doubt into something positive.

Classic Hollywood movies had a conscience.

There's no place for two at the window so one will be in the dark: a voice, a conscience.

Today there's a big problem.

It's a melange of what's happening today, trying to be a little bit documentary [and also towards something a bit classic like Mizoguchi.]

Images today hate to confront reality, to confront what is happening.

Films today are trying to avoid reality, to escape.

Here, without vanity, we tried to go somewhere and we got there.

Too many images of one kind.

An image that breaks consensus.

It's an effect, it's very effective.

Film is closely related to some kind of justice and even to revenge.

Cinema could be an avenger.

There is a profound social injustice today and there's a profound filmic injustice.

Confronting ourselves with some sort of reality.

I still think images and words can go together.

He was the one who could write the letters for the other workers. A lover letter, a money letter. There is a formula and he improvises a little bit.

He was more or less the prisoner and the guardian of the prison. "I died every night and the only thing keeping me alive was alcohol and writing these letters" [for other workers to send back home.]

When it slips completely out of control.

This letter that was only supposed to be one scene, three or four shots, became the whole film - that was a contradiction in the film.

This character who cannot learn the letter, in the end, just tells it like he knew it all his life.

I am very eager and interested to work with some people and not with other people. And I don't like to put my words in their mouths.

One of the lessons of Godard - everything is there for us to pick up and use when it is useful.

In the past there were films that had sounds that were much more powerful than any of the images.

Sometimes what seems most alien - Desnos, the surrealist poet - is in fact the perfect marriage for me.

It's terrible, sometimes, a documentary. It's terrible what you see and hear in a documentary.



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