A Radical Cut In The Texture Of Reality

June 30, 2020

Keeanga-Yamahtta Taylor Quote


We can’t win with the idea that only black people can fight for black people, white people should fight for working class white people, Latinos should only fight for themselves. We can’t win that way. And we have a lifetime of experience over the previous century that is proof of that. And I like to think of myself as an Afro optimist. I think that the black struggle in this country has been a source of inspiration for people around the world, because this is the most exploitative, the most oppressive country, just simply because it has the resources to be different. You know, this is not a struggling republic that has no money and resorts to brute force in order to eke out an existence. This is the richest country in the history of the world, where its ruling class deliberately sets poor and working class people in opposition to each other, to maintain wealth at the top of our society. And we acquiesce to that politically by reinforcing the lines of division that they have drawn in the first place. And so we have to think about solidarity as not an exercise in finding the least contentious issue around which to organise, so that’s not what we’re arguing for. We’re arguing for an informed solidarity based on an understanding of the oppression of black people and a rejection of it, an understanding of the oppression and exploitation of immigrant labour in the United States and a rejection of it. And that’s hard. It is hard. But there’s no other way. There’s no shortcut. There’s no way to circumvent the need for what Combahee talked about as coalition-building and the need for what is actually playing out in the streets right now, which is a multiracial rebellion against capitalism and the excesses of it. And so people want to be in a movement. People want to be a part of an effort to transform this country. And no one should be told that you can’t be a part of it, you know? And so to me, that’s part of what it means to democratise our movements, to open them up and to struggle. You know, we have to struggle with each other. And we can’t have this kind of sacrosanct approach to politics where you don’t get to say the wrong thing. You don’t get to make a mistake. And if you do, then you’re banished from organising. Because the reality is if that is the standard that we are creating, then we’ll never have a mass movement of ordinary people who’d make those mistakes and say those things all the time. And so if it’s you and your 12 friends who had your American studies seminar and your women’s studies seminar, and you figured out what all the language is, then that’s great, and good luck. But if we’re actually going to build a movement of the masses who are affected by this, then we have to have some grace, then we have to listen to people. We have to understand what their struggles are. And we have to find a way to knit ourselves together into a force that can actually fight for the world that we want. And that’s hard. And it’s much harder than just saying ‘you people go to the back because you haven’t experienced what it’s like to be called the N word’. We’re not going to get anywhere with that. And we have to have a different vision of politics to fight for the kind of world that we want.

- Keeanga-Yamahtta Taylor, from there interview How do you change things?


June 28, 2020

An excerpt from the work-in-progress Amateur Kittens Dreaming Solar Energy


That day’s session began with Silvering recalling an anecdote she thought might be relevant, though she still wasn’t entirely sure how. Years ago she used to regularly go to a café where a lot of scientists, activists and artists also went. She went there because people were always talking, always some conversation she could join. She had recently been fired from her job so it was a period in her life in which she had a great deal of free time. She was in the middle of one such café conversation concerning various evil things some corporation had been doing to decimate the lived environment and then cover it up when, out of the blue, landing almost as a non sequitur, she heard herself saying: “There must be a way to defeat capitalism. To really finish it off once and for all.” And it felt so out of place, this statement, that everyone stopped talking and stared at her, waiting for her to continue. But she didn’t continue and instead a woman on the far side of the room – strange as it sounds this woman was wearing an eyepatch over her left eye – someone who dropped by from time to time but rarely spoke, jumped in unexpectedly, saying “of course there’s a way. But people aren’t dedicated enough and also they’re afraid that they wouldn’t actually manage to replace it with something better.”

– All right. How would you go about it?

– You form a small cell, a cadre, from whom you must require absolute secrecy. You all need to know each other as well as possible in order to prevent turncoats and infiltrators. And you make a plan, a long-term plan, you have to play the long game. Those in your group each infiltrate a key sector: business, government, media, law, healthcare, etc. And they bring back what they’ve learned to the group. Each member of the cell forms another cell within their chosen sector. Keep in mind this might take many years, thirty, forty, fifty years, something along those lines. What is difficult is to keep members loyal, keep them from joining others instead or simply falling away, but loyalty can be cultivated if you make this the underlying priority. You’re trying to form as many nodes of potential counter-power as possible so when the opportunity arises you can flip the system. The question then becomes flip it to what? That’s the main question to be researched by the original cell, what exactly do you want to create. Also, this plan would probably at some moment involve eliminating a large enough number of the most powerful capitalists. There might be some way to do so other than killing them but I haven’t yet found it.

Even now Silvering remembered the way she felt listening to that little speech. It was such a simplistic reduction but almost no one else she knew spoke in such terms. There was something so enticing about it all, that there was some clear way if only you had the strategy and nerve. She didn’t know if it was true but neither did she know it wasn’t. She also so clearly remembered her response:

– If it’s all so straightforward why aren’t you doing it yourself?

– I actually play for the other team. I just drop in here from time to time to listen in, see if there’s any ideas we can use. Usually not so much, but I always find it interesting. However, now that my covers blown, now that I’ve effectively blown my own cover, I assume I’m no longer welcome. So you most likely won’t be seeing me again. Or at least it might be a while. Because people have such short memories I might try again in a few years. See if I get away with it.

Silvering also so clearly remembered the confidence with which that pirate woman, that “player for the other team,” stood up, walked straight through the café and out the door. She left as if she owned the place. And everything she said about flipping capitalism had also been a footnote in Silvering’s mind over the ensuing years. When she finished recounting, Silvering returned her focus to the circle, asking them what they thought. She hadn’t fully articulated her thoughts before she began, but now it seemed clear she was wondering if these sessions, if all of us here around the circle, might form such a cadre, and what it might mean for us to do so.


June 18, 2020

Enters performing at Suoni Per Il Popolo

Enters [Alexei Perry Cox · Jacob Wren · Radwan Ghazi Moumneh] live at Montréal's Hotel2Tango on Wednesday, June 17, 2020 as part of the Suoni Per Il Popolo.


May 20, 2020

Vulnerable Paradoxes / May 27-31


We've been working on Vulnerable Paradoxes for so long and now it's finally going to happen. When we started it was a live event. And now, for obvious reasons, it will be online. So curious what everyone will say and do. So grateful that so many remarkable artists are participating: Aisha Sasha John + Dana Michel + Dayna Danger + Elena Stoodley + Kama La Mackerel + Kamissa Ma Koïta + Lara Kramer + Mai t̶h̶i Bach Ngoc Nguyen + Malik Nashad Sharpe + Milton Lim + nènè myriam konaté + Po B. K. Lomami + Sonia Hughes

You can find all the details here.


May 10, 2020

A pushing into the mainstream of something that wasn't quite there before.


Over the last week or two I've been listening to a lot of John Prine, Tony Allen, Kraftwerk and Little Richard. I'm not sure there's any other circumstances in which I'd find myself thinking of these artists together. But I find myself starting to think that they do all have something in common. A certain stubbornness and panache. A pushing into the mainstream of something that wasn't quite there before. There is also something along the lines of Prine being framed as a "songwriter's songwriter." (Which reminds me of this quote from Prine: "In my songs, I try to look through someone else’s eyes, and I want to give the audience a feeling more than a message.") These are all artists who have influenced and inspired so many other artists. I was especially struck by both Dylan and Jagger speaking about how much Little Richard has meant to them (which echoes the extent to which rock 'n' roll is just white artists ripping off black music.) And I can't think of Kraftwerk without also thinking of Afrika Bambaataa. Hip Hop is of course filled with Tony Allen samples and Allen was respected and admired by drummers of every stripe. I've never quite formulated this before, but maybe that's something I should consider more with artists. When they're admired by other artists it really seems to mean something about the breadth and depth of the work, the ways their influences radiate out in every direction.


May 8, 2020

Ama Ata Aidoo Quote


Do I think it must always be so? Certainly not. It can be changed. It can be better. Life on earth need not always be some humans being gods and others being sacrificial animals. Indeed, that can be changed. But it would take so much. No, not time. There has always been enough time for anything anyone ever really wanted to do. What it would take is a lot of thinking and a good deal of doing. But one wonders whether we are prepared to tire our minds and our bodies that much. Are we human beings even prepared to try?

– Ama Ata Aidoo, Changes


May 4, 2020

the joy of using less


I've been trying to come up with an environmental slogan along the lines of: the joy of using less. About how when we consume less resources, and instead focus on what's most important, our lives have the potential to become better rather than worse. I'm also searching for the anti-capitalist edge to it, since capitalism relies on so much overconsumption and waste. Something about how using less becomes joyous when it's a collective effort toward meaningful survival. But I don't feel I'm quite on the right track.


May 1, 2020

Some Bandcamp Suggestions


[As you may already know, today (May 1), as well as on June 5, and July 3 (the first Friday of each month), Bandcamp is waiving their revenue share for all sales on Bandcamp, from midnight to midnight PDT on each day in order to help artists and labels impacted by the pandemic. Since, as I frequently mention, I really love lists, I thought I would take this moment to share a few of my Bandcamp suggestions as follows.]

Spellling – Mazy Fly

SACRED//PAWS - Run Around The Sun

Tony Allen - Black Voices

Tony Allen - HomeCooking

Tony Allen - NEPA

The Lijadu Sisters - Sunshine

The Lijadu Sisters - Horizon Unlimited

Paradis Artificiel - Paradis Artificiel

Richard Dawson - 2020

Hélène Barbier - Have You Met Elliott?

Witch Prophet - DNA ACTIVATION

Farai - Rebirth

Irreversible Entanglements - Who Sent You?

Moor Mother - CLEPSYDRA

700 Bliss - Spa 700

dj haram - Grace

Mohamed Lamouri & Groupe Mostla - Underground Raï Love

Count Ossie & The Mystic Revelation Of Rastafari - Grounation

Nappy Nina - Dumb Doubt

Nappy Nina - 30 Bag

Wilma Vritra - Burd

Meara O'Reilly - Hockets for Two Voices (EP)

Idris Ackamoor and the Pyramids - Rhapsody in Berlin Pt. 1 & 2

Angel Bat Dawid - The Oracle

Angel Bat Dawid - Transition East

Ben Reed - Station Masters

Davis - Green Parakeet Suite

Fatima - And Yet It's All Love

Joe Maneri, Udi Hrant and Friends - The Cleopatra Record

KeiyaA - Forever- Ya Girl

Locate S-1 - Healing Contest

Malphino - Visit Malphino

Mourning [A] BLKstar - Reckoning

Mourning [A] BLKstar - The Cycle

NSRD - The Workshop For The Restoration Of Unfelt Feelings

Outro Tempo: Electronic And Contemporary Music From Brazil 1978​-​1992

Outro Tempo II

Good God! Apocryphal Hymns

Good God! A Gospel Funk Hymnal

Good God! Born Again Funk

Uneven Paths: Deviant Pop From Europe 1980​-​1991


Richenel - Perfect Stranger

その他の短編ズ / sonotanotanpenz - 31

Ivy Sole - Overgrown

Mammane Sani et son Orgue - La Musique Electronique du Niger

Nadah El Shazly - Ahwar

RP Boo - I'll Tell You What!

Sweet As Broken Dates Lost - Somali Tapes from the Horn of Africa

The Sorority - Pledge

Zatua - Sin Existencia

Mega Bog - Gone Banana

Mega Bog - Happy Together

Mega Bog - Dolphine

Edwyn Collins - Understated

Robert Forster - Inferno

Peter Perrett - How The West Was Won

serpentwithfeet - blisters

Eucalyptus - Fascination In Sound

TOOLS YOU CAN TRUST - Working And Shopping

Marion Cousin & Kaumwald - Tu rabo par'abanico

Deena Abdelwahed - Dhakar

Main Attrakionz - 808s & Dark Grapes II

Sandro Perri - Soft Landing

Nicholas Krgovich - IN AN OPEN FIELD

Elysia Crampton - Elysia Crampton

Frank and His Sisters - Frank and His Sisters

The Mauskovic Dance Band - The Mauskovic Dance Band

Kelan Philip Cohran & The Hypnotic Brass Ensemble

MIKE - tears of joy

MIKE - War in my Pen

Ric Wilson, Terrace Martin - They Call Me Disco

Klein - ONLY

Klein - Tommy

Klein - Lifetime

Klein - Frozen

Lolina - Live in Paris

Lolina - The Smoke

Nyege Nyege Tapes - Sounds of Sisso

DJ Rashad - Double Cup

Tirzah - Devotion

Okkyung Lee - Yeo​-​Neun

Nancy Dupree - Ghetto Reality


April 23, 2020

"so fierce that the phrase buggy-whip maker became a business simile for loser"


I've been thinking about this quote regularly since I first read it in 2015:

"In 1915, as the American economy boomed, the huge supply chain that supported horse-drawn transport—harnesses and horseshoes, wagons and buggies makers (13,000 of them), farriers and blacksmiths, hay balers and feedmills—looked like a robust and vital segment for deploying capital. 1920 was the year of “Peak Horse” in the U.S.. By 1940 it was gone. This was not “low-cost”, incremental progress. It was an economic disruption so fierce that the phrase “buggy-whip maker” became a business simile for loser."

And I thought of it again the other day when I read the headline:

The day oil was worth less than $0 — and nobody wanted it

And then, a few days later, this headline:

Big Banks Pull Financing, Prepare To Seize Assets From Collapsing Oil and Gas Industry

If environmentalists, meaning (I believe or at least hope) the majority of us, find as many ways as possible to seize the moment, I don't see why this couldn't be the beginning of the end for the fossil fuel industry.

[The first quote is from Carl Pope's 2015 article Get Ready for Ugly as "Free Markets" Begin to Deal With Climate Crisis.]