March 2, 2009

PME-ART in Japan

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PME-ART, Unrehearsed Beauty/Le Genie des autres (Canada)

Except some reports of performers' personal experiences such as labor at Dunkin' Donuts or conversation with an American soldier, some yes-or-no questions, fragments of performances and several rock tunes, the whole space is given to audience "without rehearsal." There is a microphone in the center of "audience seats" that they can use to fill the void, but it is all up to them. An experiment that transforms theatre into a kind of open forum and explores what the notion of "public space" can be today.

Dates: March 13-15, 2003
Venue: Super Deluxe, Roppongi



PME-ART, Families are Formed through Copulation (Canada)

Humiliation and death of the best friend, an allegorical story in which a father, mother, and daughter rape each other, a man who suddenly "becomes" a "Jew" during his travel in Germany, a family therapy in the nuclear age, a computer's voice preaching that we must not have children with tons of reasons. Following the experiment in Unrehearsed Beauty as a plain answer to the question "what theatre can do" in terms of content, this "theatrical" performance straightly depicts unjustifiedness.

Dates: March 9-10, 2006
Venue: Tokyo Kinema Club, Uguisudani




chelfitsch, Three Days in March (Japan)


"March 15, 2003, when the USA was about to start bombing on Iraq, I saw at Super Deluxe in Roppongi, with a fair amount of beer, a theatrical show from Montreal that looked like a political forum called Unrehearsed Beauty. Some said the performance was not worth serious consideration, but for me it was one of the very few performances that were really striking.

To tell the truth, what made me write Three Days in March that was premiered in the next year's February was the performance experience of that day. So I am very glad being able to show the piece at the Super Deluxe in the festival that the group of Unrehearsed Beauty is in. Besides, a Japanese post-rock band Sangatsu [March], which was the source of the title, is going to play at the same venue in our performance period.

I hope that audience will enjoy the piece and the band's live concert relaxing, eating and drinking as I did with Unrehearsed Beauty. It has been three years since then, but the war on Iraq is still ongoing."

(Toshiki Okada, from the brochure of PPAF 2006, translated by Tomoyuki Arai)

Dates: March 11-21, 2006
Venue: Super Deluxe, Roppongi



Original link: http://www.parc-jc.org/projects/ppaf/?lang=en



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