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The best works here take you down a route where radically crazy dreams and hands on pragmatism converge. Spartacus Chetwynd's Hermito's Children (2008) is a case in point: presented on a wall of monitors, it is a bonkers ride into a zone where trash television meets raunchy underground culture; where transgender detectives investigate the case of a girl who died of too many orgasms on a dildo see-saw, to a soundtrack swinging between death metal and lisped monologues about opening a Jewish restaurant (Chetwynd ran an improvised Jewish restaurant during the making of her film, channeling the experience into her recorded scenario.)
- from Frieze review of the Tate Triennial 2009
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April 27, 2009
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