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The more you attempt to second-guess the reactions of the audience or reader, the more it becomes “theatre”, the harder it becomes to escape from your own pre-set assumptions, the more you get distracted from the necessary leap into risk.
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August 18, 2009
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1 comment:
thanks jacob. very helpful and well said.
to which i propose we add ... where the swing of so many pleasures, only, resides.
n'est ce pas?
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