Never to have given more than very slight attention to questions of money, and absolutely none to the ambition of holding some brilliant post in society, is a trait so rare among my contemporaries that some will no doubt consider it incredible, even in my case. It is, however, true, and it has been so constantly and abidingly verifiable that the public will just have to get used to it.
Our only public activities, which remained rare and brief in the early years, were meant to be completely unacceptable: at first, primarily due to their form; later, as they acquired depth, primarily due to their content. They were not accepted.
This time, what was an absolutely new phenomenon, which naturally left few traces, was that the sole principle accepted by all was precisely that there could be no more poetry or art – and that something better had to be found.